Harry Houdini’s 137th Birthday
Harry Houdini (born Erik Weisz; March 24, 1874 – October 31, 1926) was a Hungarian-born American magician and escapologist, stunt performer, actor and film producer noted for his sensational escape acts. He was also a skeptic who set out to expose frauds purporting to be supernatural phenomena.
Early life
Harry Houdini was born as Erik Weisz (he later spelled his birth name as Ehrich Weiss) in Budapest, Hungary, on March 24, 1874.[1] From 1907 on, however, Houdini would claim in interviews to have been born in Appleton, Wisconsin, on April 6, 1874.
His parents were Rabbi Mayer Samuel Weiss (1829–1892) and his wife, Cecelia (née Steiner; 1841–1913). Houdini was one of seven children: Herman M. (1863–1885); Nathan J. (1870–1927); Gottfried William (1872–1925); Theodore “Theo” (1876–1945);[2] Leopold D. (1879–1962); and Gladys Carrie (born 1882–unknown year of death).
Weiss came to the United States on July 3, 1878, sailing on the SS Fresia with his mother (who was pregnant) and his four brothers.[3] The family changed the Hungarian spelling of their German surname into Weiss (the German spelling) and the spelling of their son’s name into Ehrich. Friends called him “Ehrie” or “Harry”.
They first lived in Appleton, Wisconsin, where his father served as Rabbi of the Zion Reform Jewish Congregation. According to the 1880 census, the family lived on Appleton Street.[4] On June 6, 1882, Rabbi Weiss became an American citizen. Losing his tenure at Zion in 1887, Rabbi Weiss moved with Ehrich to New York City. They lived in a boarding house on East 79th Street. They were joined by the rest of the family once Rabbi Weiss found permanent housing. As a child, Ehrich Weiss took several jobs, next becoming a champion cross country runner. He made his public début as a 9-year-old trapeze artist, calling himself “Ehrich, the Prince of the Air”. Weiss became a professional magician and began calling himself “Harry Houdini” because he was heavily influenced by the French magician Jean Eugène Robert-Houdin, and his friend Jack Hayman told him, erroneously, that in French, adding an “i” to Houdin would mean “like Houdin” the great magician. In later life, Houdini would claim that the first part of his new name, Harry, was a homage to Harry Kellar, whom Houdini admired.
In 1918 he registered for selective service as Harry Handcuff Houdini.
“My Two Sweethearts” – Houdini with his mother and wife, ca. 1907
At the outset, Houdini’s magic career resulted in little success. He performed in dime museums and sideshows, and even doubled as “The Wild Man” at a circus. Houdini focused initially on traditional card tricks. At one point, he billed himself as the “King of Cards”. But he soon began experimenting with escape acts.
In 1893, while performing with his brother “Dash” at Coney Island as “The Houdini Brothers”, Harry met fellow performer Wilhelmina Beatrice (Bess) Rahner, whom he married. Bess replaced Dash in the act, which became known as “The Houdinis.” For the rest of Houdini’s performing career, Bess would work as his stage assistant.
Houdini’s “big break” came in 1899 when he met manager Martin Beck in rural Woodstock, Illinois. Impressed by Houdini’s handcuffs act, Beck advised him to concentrate on escape acts and booked him on the Orpheum vaudeville circuit. Within months, he was performing at the top vaudeville houses in the country. In 1900, Beck arranged for Houdini to tour Europe. After some days of unsuccessful interviews in London, Houdini managed to interest Dundas Slater, then manager of the Alhambra Theatre, he gave a demonstration of escape from handcuffs at Scotland Yard, and succeeded in baffling the police so effectively that he was booked at the Alhambra for six months.
Houdini became widely known as “The Handcuff King.” He toured England, Scotland, the Netherlands, Germany, France, and Russia. In each city, Houdini would challenge local police to restrain him with shackles and lock him in their jails. In many of these challenge escapes, Houdini would first be stripped nude and searched. In Moscow, Houdini escaped from a Siberian prison transport van. Houdini publicly stated that, had he been unable to free himself, he would have had to travel to Siberia, where the only key was kept. In Cologne, he sued a police officer, Werner Graff, who claimed he made his escapes via bribery.[6] Houdini won the case when he opened the judge’s safe (he would later say the judge had forgotten to lock it). With his new-found wealth and success, Houdini purchased a dress said to have been made for Queen Victoria. He then arranged a grand reception where he presented his mother in the dress to all their relatives. Houdini said it was the happiest day of his life. In 1904, Houdini returned to the U.S. and purchased a house for $25,000, a brownstone at 278 W. 113th Street in Harlem, New York City.[7]
From 1907 and throughout the 1910s, Houdini performed with great success in the United States. He would free himself from jails, handcuffs, chains, ropes, and straitjackets, often while hanging from a rope in plain sight of street audiences. Because of imitators and a dwindling audience, on January 25, 1908, Houdini put his “handcuff act” behind him and began escaping from a locked, water-filled milk can. The possibility of failure and death thrilled his audiences. Houdini also expanded his challenge escape act—in which he invited the public to devise contraptions to hold him—to include nailed packing crates (sometimes lowered into the water), riveted boilers, wet-sheets, mailbags, and even the belly of a Whale that washed ashore in Boston. Brewers challenged Houdini to escape from his milk can after they filled it with beer.[citation needed]
Many of these challenges were prearranged with local merchants in what is certainly one of the first uses of mass tie-in marketing. Rather than promote the idea that he was assisted by spirits, as did the Davenport Brothers and others, Houdini’s advertisements showed him making his escapes via dematerializing,[8] although Houdini himself never claimed to have supernatural powers.
In 1912, Houdini introduced perhaps his most famous act, the Chinese Water Torture Cell, in which he was suspended upside-down in a locked glass-and-steel cabinet full to overflowing with water. The act required that Houdini hold his breath for more than three minutes. Houdini performed the escape for the rest of his career. Despite two Hollywood movies depicting Houdini dying in the Torture Cell, the escape had nothing to do with his demise. Houdini explained some of his tricks in books written for the magic brotherhood throughout his career. In Handcuff Secrets (1909), he revealed how many locks and handcuffs could be opened with properly applied force, others with shoestrings. Other times, he carried concealed lockpicks or keys, being able to regurgitate small keys at will. When tied down in ropes or straitjackets, he gained wiggle room by enlarging his shoulders and chest, moving his arms slightly away from his body, and then dislocating his shoulders.[citation needed]
His straitjacket escape was originally performed behind curtains, with him popping out free at the end. However, Houdini’s brother, who was also an escape artist billing himself as Theodore Hardeen, after being accused of having someone sneak in and let him out and being challenged to escape without the curtain, discovered that audiences were more impressed and entertained when the curtains were eliminated so they could watch him struggle to get out. They both performed straitjacket escapes dangling upside-down from the roof of a building for publicity on more than one occasion.[citation needed]
For most of his career, Houdini performed his act as a headliner in vaudeville. For many years, he was the highest-paid performer in American vaudeville. One of Houdini’s most notable non-escape stage illusions was performed at New York’s Hippodrome Theater when he vanished a full-grown elephant (with its trainer) from a stage, beneath which was a swimming pool. In 1923, Houdini became president of Martinka & Co., America’s oldest magic company. The business is still in operation today. He also served as President of the Society of American Magicians (aka S.A.M.) from 1917 until his death in 1926. In the final years of his life (1925/26), Houdini launched his own full-evening show, which he billed as “3 Shows in One: Magic, Escapes, and Fraud Mediums Exposed”.
Mirror handcuff challenge
In 1904, the London Daily Mirror newspaper challenged Houdini to escape from a special handcuff that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, seven years to make. Houdini accepted the challenge for March 17 during a matinée performance at London’s Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his “ghost house” (a small screen used to conceal the method of his escape) several times. On one occasion, he asked if the cuff could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuff was unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini’s wife appeared on stage and gave him a kiss. It is believed that in her mouth was the key to unlock the special handcuff. Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.[9]
After Houdini’s death, his friend, Martin Beck, published in his book, Sensational Tales of Mystery Men, that Houdini was bested that day and appealed to his wife, Bess, for help. Goldstone goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. However, it was stated in the book “The Secret Life of Houdini” that the key required to open the specially designed Mirror handcuffs was 6″ long, and thus could not have been smuggled to Houdini in a glass of water. Goldstone offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuff itself) that the entire Mirror challenge was pre-arranged by Houdini and the newspaper, and that his long struggle to escape was pure showmanship.[10] In support of this, it has been reported that the sterling silver replica of the Mirror cuffs presented to Houdini in honor of his escape was actually made the year before the escape actually took place (again from “The Secret Life of Houdini”).[citation needed]
Milk Can Escape
In 1901, Houdini introduced his own original invention, the Milk Can Escape.[11] In this effect, Houdini would be handcuffed and sealed inside an over-sized milk can filled with water and make his escape behind a curtain. As part of the effect, Houdini would invite members of the audience to hold their breath along with him while he was inside the can. Advertised with dramatic posters that proclaimed “Failure Means A Drowning Death”, the escape proved to be a sensation.[12] Houdini soon modified the escape to include the milk can being locked inside a wooden chest, being chained or padlocked, and even inside another Milk can. Houdini only performed the milk can escape as a regular part of his act for four years, but it remains one of the effects most associated with the escape artist. Houdini’s brother, Theodore Hardeen, continued to perform the milk can (and the wooden chest variation)[13] into the 1940s.
Movie career
“The Houdini Serial”, 1919 “The Grim Game”, 1919
Houdini swims above Niagara Falls in a scene from The Man from Beyond (1922).
In 1906 Houdini started showing films of his outside escapes as part of his vaudeville act. In Boston he presented a short film called Houdini Defeats Hackenschmidt. Georg Hackenschmidt was a famous wrestler of the day, but the nature of their contest is unknown as the film is lost.[20] In 1909 Houdini made a film in Paris for Cinema Lux titled Merveilleux Exploits du Célébre Houdini à Paris (Marvellous Exploits of the Famous Houdini in Paris).[21] It featured a loose narrative designed to showcase several of Houdini’s famous escapes, including his straitjacket and underwater handcuff escapes. That same year Houdini got an offer to star as Captain Nemo in a silent version of 20,000 Leagues Under the Sea, but the project never made it into production.[22]
It is often erroneously reported that Houdini served as special-effects consultant on the Wharton/International cliffhanger serial, The Mysteries of Myra, shot in Ithaca, New York, because Harry Grossman, director of The Master Mystery also filmed a serial in Ithaca at about the same time. Houdini had nothing to do with “Myra”, which treated spiritualism as real, something he never would have approved of. The actual consultants on the serial were pioneering psychic investigator Hereward Carrington and magician Alistair Crowley.[23]
In 1918 Houdini signed a contract with film producer B.A. Rolfe to star in a 15-part serial, The Master Mystery (released in January 1919). As was common at the time, the film serial was released simultaneously with a novel. Financial difficulties resulted in B.A. Rolfe Productions going out of business, but The Master Mystery led to Houdini being signed by Famous Players-Lasky Corporation/Paramount Pictures, for whom he made two pictures, The Grim Game (1919) and Terror Island (1920).[citation needed]
While filming an aerial stunt for The Grim Game, two biplanes collided in mid-air with a stuntman doubling Houdini dangling by a rope from one of the planes. Publicity was geared heavily toward promoting this dramatic “caught on film” moment, claiming it was Houdini himself dangling from the plane. While filming these movies in Los Angeles, Houdini rented a home in Laurel Canyon. Following his two-picture stint in Hollywood, Houdini returned to New York and started his own film production company called the “Houdini Picture Corporation”. He produced and starred in two films, The Man From Beyond (1921) and Haldane of the Secret Service (1923). He also founded his own film laboratory business called The Film Development Corporation (FDC), gambling on a new process for developing motion picture film. Houdini’s brother, Theodore Hardeen, left his own career as a magician and escape artist to run the company. Magician Harry Kellar was a major investor.[24]
Neither Houdini’s acting career nor FDC found success, and he gave up on the movie business in 1923, complaining that “the profits are too meager”. But his celebrity was such that, years later, he would be given a star on the Hollywood Walk of Fame (at 7001 Hollywood Blvd).
As of 2007 only The Man From Beyond had been commercially released on DVD. Incomplete versions of The Master Mystery and Terror Island were released by private collectors on VHS. Complete 35 mm prints of Haldane of the Secret Service and The Grim Game exist only in private collections. Haldane of the Secret Service was screened in Los Angeles in 2007.[25]
In April 2008 Kino International released a DVD box set of Houdini’s surviving silent films, including The Master Mystery, Terror Island, The Man From Beyond, Haldane of the Secret Service, and five minutes from The Grim Game. The set also includes newsreel footage of Houdini’s escapes from 1907 to 1923, and a section from Merveilleux Exploits du Célébre Houdini à Paris (although it is not identified as such)
Artifacts
Houdini’s brother, Theodore Hardeen, who returned to performing after Houdini’s death, inherited his brother’s effects and props. Houdini’s will stipulated that all the effects should be “burned and destroyed” upon Hardeen’s death. Hardeen sold much of the collection to magician and Houdini enthusiast Sidney Hollis Radner during the 1940s, including the Water Torture Cell.[36] Radner allowed choice pieces of the collection to be displayed at The Houdini Magical Hall of Fame in Niagara Falls, Canada. In 1995, a fire destroyed the museum. While the Water Torture Cell was reported to have been destroyed, its metal frame remained, and the cell was restored by illusion builder John Gaughan.[37] Many of the props contained in the museum such as the Mirror Handcuffs, Houdini’s original packing crate, a Milk Can, and a straitjacket, survived the fire and were auctioned off in 1999 and 2008.
Radner archived the bulk of his collection at the Houdini Museum in Appleton, Wisconsin, but pulled it in 2003 and auctioned it off in Las Vegas on October 30, 2004.
source:wikipedia
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